Wer ist die Schönste im ganzen Land?
Here is a divination tool: the water mirror. It makes it possible to see, through our third eye, images of the future, but also, even if this use is less popular, past or future lives, entities... and many other things that you will discover during your practice if you try the experiment. To limit the mirror of water to a mere divinatory tool would be to amputate it from much of its use and mystery. However, as with any esoteric practice, you must feel ready to use it, it is not a question of going blindly, as this experience can be shocking for some people depending on how the session unfolds. You don't need a particular water level, no, you just have to feel ready and approach this tool and this experience with a lot of respect.
The Aztec god of night, Tzcatlipoca, is even supposed to have carried a magic mirror that enveloped his enemies in clouds of smoke. ... The first recorded case of mirror divination (known as catoptromancy) can be traced back to ancient China, India, Persia and Roma, where small metal mirrors were used to predict the life expectancy of the sick.CATOPTROMANCY. AND. THE. MAGIC. MIRROR. Cataptromancy is a form of divination using reflective surfaces, such as a mirror, water or some other suitable surface. Both the Magic Mirror and the Mandala may be used individually, by themselves as separate tools for externalising the consciousness.
Practice: To begin with, you need to find a water mirror, or if you don't have one, a normal mirror that you will use in the half-light, lit by one or two candles if you wish, or nothing at all if you see enough, it's up to you to judge when the time comes. Anyway, you will only have to use this mirror ONLY for this practice, it is extremely important (whether you dedicate it or not). And when you don't use it I advise you to cover it with a cloth, because once it has been used it becomes a kind of door, a link, and you will see, you will feel its power, the energy that will come out of it. Sit in front of your mirror, comfortably, and meditate for a few minutes on what you are going to do, your goal... When you feel ready, fix your third eye, or your eyes, through the mirror. After a while your eyes will sting you, which is normal, over time this sensation will fade. You can burn incense and arrange some crystals to help you during this exercise. Of course the crystals will vary according to your purpose and your affinities with them. Then the first phase will slowly set in place, you will see your orbits become black and your face unravel to become a skull before disappearing. This step can be frightening if you're not ready enough and I think it may be partly done to push some back, but not just that of course. When your skull disappears from the mirror everything can begin, take your time and observe! You have been able to read various experiments on the Internet, some of them do not fix their reflection, and therefore do not go through the "skull"stage. It's up to you to see what appeals to you the most, and therefore, what's best for you. As with all esoteric practices, there are always several ways to achieve the same result:) This is Catoptromancy (Gk. κάτοπτρον, katoptron, "mirror," and μαντεία, manteia, "divination"), also known as captromancy or enoptromancy, is divination using a mirror.Catoptromancy is a word you do not hear very often. Its meaning, however, is something which just about everyone knows about. Catoptromancy is a word derived from Greek which basically means “Mirrors in Divination”. The Evil Queen in Snow White asking for information by saying “Mirror, mirror on the wall” and old folk games of looking into a mirror to see the image of a future spouse are two example of catoptromancy. Another example – albeit a rather indirect one –is the mirror in Alfred Lord Tennyson’s The Lady of Shalott: this mirror is not magical from the standpoint that it, like any other mirror, simply reflects what is happening. However, the mirror crack’d from side to side the moment the Lady of Shalott fell under the curse, thus foretelling her imminent death. Therefore, this can be considered an example of catoptromancy or the use of a magical mirror.
An ancient Mesoamerican artifact is seen along its own reflection in an ancient Mesoamerican mirror with a carved wooden frame. While authorities on the subject of ancient Mesoamerican culture don't yet acknowledge these things, they are in no way restrained, ironically, from offering every praise short of it. Regarding the mirrors in general, Valliant, in "The Aztecs of Mexico, writes (pg. 116): "The making of the mirrors called much ingenuity into play... Blocks of obsidian were sometimes polished to produce an eerie and mysterious reflection. However, iron pyrites, burnished and shaped, were more common; and rarer examples had thin pyrite flakes laid in a mosaic and glued to a background of wood or shell. In another technique used on the coast the artisan detached a surface of pyrites in its matrix of slate, burnishing one side and carving the other to fashion a mirror with a carved back. One example, at least, is known of a mirror with marcasite with its surface ground as to produce a magnified reflection". Such praise reveals at the very least mundane sophistication like that which is also freely given regarding the optics marvels of the ancient orient. Similarly, Michael D. Coe, in "Mexico", writes: Certain Olmec sculptures and figurines show persons wearing pectorals of concave shape around the neck, and such have actually come to light in offerings, These oddly enough turned out to be concave mirrors of magnetite and ilmenite, the reflecting surfaces polished to optical specifications. What were they used for? Experiments have shown that they can not only start fires, but also throw images on flat surfaces like a camera lucida. They were pierced for suspension, and one can imagine the hocus-pocus which some mighty Olmec preist was able to perform with one of these. Imagine, indeed. Whether or not the priest could have impressed anyone, however, when the underlying principles are captured by every artist and given away to every citizen with nearly every gesture of the cultures in question, every artwork or every holiday, is another story altogether. Still, these fabulous optical properties, while certainly making solid testimony that these ancient people had a remarkably advanced grasp of sophisticated optics, may only be ideographic markers- outward superficial properties acting as labels for the even more incredible powers that these devices were made to possess. Tezcatlipoca, an Aztec deity whose name literally means, "Smoking Mirror", may be a fictitious contrivance used to label literature that allegorically describes the making, use, and principles of these mirrors. While the phrase "smoking mirrors" has even found its way into modern politics, no one seems to have a substantial clue to its origin. In the case of Tezcatlipoca, the "smoke" may have been a smudge or incense used to activate the mirrors; Mexican mugwort or a closely related specie is very probable.
This may yet prove to be another viable alternative to Trans-Atlantic and Trans-Pacific crossing to explaining the extreme degree of cultural parallels between peoples normally spoken of as isolated from one another; with the aid of such devices, they may have in fact been in constant communication. Here's another twist or two: ancient Egyptian mirrors often contain the same familiar birds as magick mirrors of Greece and elsewhere (left), but sometimes they don't (right), which remarkably either evokes the crescent as a magnetic symbols, or reduces the symbol of artificial intelligence to the universal feature of a face of a body of a human, rather suggestive of the artificial intelligence labeling of Crystal Skulls and Skull Oracles.The symbols are simple, but the rules do tend to vary somewhat.
This picture above in Alsace remain, "Sobek, god of a city called Crocodilopolis" (Lionel Casson, "Ancient Egypt", pg. 73), has strong elements of both magick mirrors and oracular skulls and points in the direction of the Egyptian and Vedic "mystical" Solar science .It also shows another variation on the frog symbol that remains within the reptilian.;The peculiar details of the window to other worlds may also encode details about the harmonic physics used in its creation or operation, like the designs on the Celtic magick mirrors, above. The harmonic science of magick mirrors and time cameras (the counter magnetic amplifier, shown below, could easily classify as a harmonic device, perhaps a magnetic harmonic resonator) brings us to an interesting place in the burgeoning science of hyperdimensional physics because we have all the pieces of how the ancients would have utilized the harmonic energy grid of the earth, but we may not yet be able to account for the absence of hundreds of pages of equations governing every detail and alignment of the ancient landmarks that appear on the predicted nodal points of world grid maps. The harmonic markings and symbols on many magick mirror devices may be telling us that these devices not only run on the same principles that are relevant to this planetary grid science, but implying they had a purpose as tools to abbreviate hard work of calculating such incredible aspects. One other trend or common denominator in various literature on the subject resembles what may be equivalent applications of Howard Wachpress' Unpaired Magnetic Pole Levitation design, comprised of odd/even poles made when irregular carvings or geometries are magnetized (The actual example on the cover of Tyson's book is one example, although he does not seem to be aware that this principle may be at work; other examples might be found in Lewis Spence's "Encyclopedia of Occultism"; the subject is also treated in De Givry's book). This design for a magnetic ship by Hughes can be found in George Frederick Kunz, "Curious Lore of Precious Stones", pg. 53. It originates from Valentini, "Museum Museorum," pt. III, Franckfurt am Mayn, 1714, pg. 35. Kunz's caption tells us that coral-agates were to be set in the network above the pilot, which was "supposed to possess such magnetic powers as to keep the craft aloft". Magnetic levitation designs have beeen, and remain contemporary with magnetic magic mirrors. The cover of Tyson's remarkable book. Whether or not the author is consciously aware of it, the mirror which is shown and which the book contains instructions for making, is one of a class of a great many of at least the last five centuries, whose number of engravings or the number of characters in cardinal points recalls the odd-even magnetic polar pairing of Howard Wachpress' magnetic levitation design. While the exact mechanism may be difficult to ascertain, mostly because the possibilities are particular numerous and some are inevitably complex, the connection in both form and function is immediately obvious. There may be little difference in many applications between the unpaired magnetic pole levitation system and the counter magnetic amplifier of Active Reseach and Development's time camera, or between the methods that Ernetti uses. Here, astrological glyphs are set against sides of the mirror frame. It is likewise a trend to use Mugwort (Artemisia vulgaris) with crystal balls and magic mirrors; Mugwort is also known as "Compass Plant" or here on the picture like a "Compass Boat" because it is one of those plants which aligns its leaves along a north/south magnetic axis as if it were magnetized. It may also affect human endocrine systems which interact with magnetism and or gravity. At left is Howard Wachpress' invention depicted in it's patent diagram. At right below, the counter magnetic amplifier in the Time Cameras offered by Active Research and Development. Note that the latter, intriguingly, is said to rely on Hieronymous' "Eloptics", and energy he named that has both the properties of ELectricity and OPTIC energy, or light.
Descriptions of superconducted electricity accelerating to light-like velocities certainly comes to mind; the device might also rely on various principles of symmetry as well as its magnetic attributes. The actual tuning system of one of ARD's more advanced models relies on skin electricity translating thought patterns for its tuning mode. Rather than being preposterous, this may be both a logical extension of the latest in physics and biology when the two fields are effectively joined, and such technology could become part of an amazing genera of devices. Whatever the individual believes about the artifacts gathered from the "Roswell Crash", the footage shows technology that may be astonishingly similar. This principle of translation may be intrinsic to how a great deal of true magick that involves mental processes is accomplished. Also helping to render plausibility is the fact that certain superconducting magnetic devices, known as SQUIDs, are said to amongst, if not the only, devices thus known capable of imaging energies that come from the hands of physic healers who perform "laying on of hands". If such technologies can interact with such forces, they can perhaps also modulate or even simulate them. Such technology, besides having tremendous potential in medical diagnostics, also has potentials in even more futuristic medicine and biology. Time cameras may be employed to retrieve biological pattern data for varied applications from identifying and reconstituting lost and even unknown species, to providing data about structure prior to disease states for reconstruction of biological systems. Such far-flung notions are precisely what some of the markings on the ancient Mesoamerican mirrors directly imply. Not at all surprisingly, T.G. Hieronymous' scientific achievements not only include his eloptics technology and patents, but his amazing Cosmiculture" wherein he succeeded in growing plants without sunlight, but rather with some mysterious force carried by electrical conductors from a solar plate. Robert Pavlita's amazing "Psychotronic" motor or generator (left), featured in Ostrander and Schroeder's classic, "Handbook of Psychic Discoveries" (Photo 28), created with a five part structure which may pit against two energetic poles, may turn out to be largely motivated by the same effect of unpaired poles as Howard Wachpress' levitator. Its structure perhaps not coincidentally recalls the features of hyperdimensional signatures on planetary magnetic poles in the solar system (see above).
At right, the well-known levitating stone raised by 11 people chanting "Qamar Ali Dervish", noted in Andrew Tomas' "We Are Not the First" and by many others, including KeelyNet files, may inevitably be primarily accomplished the same way, through the Wachpressian technology that may simply be another spin on the familiar theme of unipolar or homopolar dynamos, since the singular pole, real or contrived, most likely also serves as an "odd pole out". The Vimaanika-Shastra, an ancient Sanskrit text which describes in detail the making and operation of flying machine or "flying saucers", details the construction and use of a number of mirrors with unusual properties. While any of the many formulas in this vast collection whose ingredients can be successfully translated and identified could be thusly explained, or by following the instructions and analyzing the results, any eventual similarity between the workings of these mirrors and other ancient magick mirrors could help serve as a bridge toward linking the peculiar and complex science of this ancient Vedic text to the appropriate modern, if unusual, concepts and terminology.
From the Vimaanika-Shastra, found in 1908 in the Royal Baroda Library, translated by G. R. Joyser, and found in its entirety in "Vimana Aircraft of Ancient India and Atlantis" by David Hatcher Childress: "Darpanaadhikaranam: Mirrors and Lenses Mahrishi Bharadwaaja: "Darpanaashcha" Sootra 1
"Lenses": Bodhaananda Vritti: This chapter deals with the mirrors and lenses which are required to be installed in the vimaana. There are seven different ones. Their names are given by Lalla in "Mukura-kalpa" as Vishwakriyaa darpanana, or television mirror, Shaktyaakarshana darpana or power-capturing-mirror, Vyroopya darpana or appearance changing mirror, Kuntinee darpana, Pinjulaa darpana, Guhaagarbha darpana, and Rowdree darpana or terrifying darpana. Vishwakriyaa darpana is to be fixed on a revolving stand near the pilot so that he cold observe whatever is happening outside on all sides. Its manufacture is thus described in Kriyaasaara: Two parts of stava, 2 parts of shundilaka, one part of eagle bone, 5 parts of mercury, 2 parts of the foot-nails of the sinchoranee, 6 parts of mica, 5 parts of red lead, 8 parts of pearl dust, 18 parts of the eyeballs of sowmyaka fish, one part burning coal, 8 parts of snake’s slough, 3 parts of eye pigment, 6 parts of maatrunna, 10 parts of granite sand, 8 parts of salt, 4 of lead, 2 parts of sea foam, 3 parts white throated eagle’s skin, 7 parts of bamboo salt, 5 parts of vyraajya or white keg tree bark, these ingreedients should be purified, and weighed, and filled in a beaked crucible and placed in the furnace called chandodara and subjected to a 800 degree heat, and when duly liquified, should be poured into the funnel of the kara-darpana yantra or hand-mirror mold. The result will be an excellent mirror in which will be reproduced minature details of the world outside." Those familiar with ancient formulas, however peculiar their ingredients, know far better than to dismiss them. Information in "The Curious Lore of Precious Stones" by George Frederick Kunz gives more instances of applying minerals containing iron being applied to such magickal contrivances. (interestingly, this book makes detailed mention of a design for a flying craft by a Brazilian priest in the 1700's that may be also very much in essence like Wachpress's design mentioned above!). (Magic Screens of Ancient Asia are also mentioned in some of the above texts, a possibly closely related principle, where screens were made that show images inside the human body, probably equal to or greater than out own modern medical imaging.) What doesn't tie in to this topic? This photo, also appearing on Richard Hoagland's "Enterprise Mission" site on his pages on Hyperdimesional Physics , of one of Saturn's magnetic poles shows the hexagonal polar region that has been found on planets throughout the solar system, including Uranus and Mars, and most recently, the sun itself. Note that there's not only a hexagon (6 sides) but a 5-armed "star" shape, our familiar unpaired numerical matching, occurring on the magnetic poles of celestial bodies. (It certainly thereby makes some implications about the nature and purposes of pentagrams as well; they could scarcely be Satan's playthings and yet God's own signature as creator!)
Just as Hoagland implies how hyperdimensional physics was encoded by ancient peoples on earth and possibly elsewhere, the method of sending information through hyperspace may already be at work in magick mirrors, possibly due to angular momentum effects of the magnetic fields rotating due to unpaired pole effects. The theory behind magick mirrors may not just be a communications utility, it may shed light on celestial mechanics, and the same technology may provide sane amounts of free energy for human use. And that may only be the beginning... As to the traditions of Ancient Wisdom... amongst the other enlightenment that can be found amongst them, as meaning layers over meaning, upheld and facilitated by the science of Correspondences, we might find significant details of these devices and rites labeled with allusions that fall under the motif of reflection: Echo and Narcissus, Perseus and Medusa... just as we may find them under the theme of closeness to the waterside, since it is part of Pausanius' account of Catoptromancy: Romulus and Remus, Temperance in the Tarot, The Star in the Tarot, Echo and Narcissus once again, etc., etc.... Someday, even if the phone company has shut you off, you may be able to summon help in an emergency, "As the crow flies", and never be obstructed from communion with those whom you love... but the technology also promises to be of inestimable value in medicine and healing as well.
Catoptromancy should not be confused with crystal gazing, although both divinatory methods fall under the category of “scrying” – looking into water, a mirror, a crystal or any other transparent object in order to see the future or contact a supernatural entity.Pausanias, an ancient Greek traveler, described as follows: Before the Temple of Ceres at Patras, there was a fountain, separated from the temple by a wall, and there was an oracle, very truthful, not for all events, but for the sick only. The sick person let down a mirror, suspended by a thread till its base touched the surface of the water, having first prayed to the goddess and offered incense. Then looking in the mirror, he saw the presage of death or recovery, according as the face appeared fresh and healthy, or of a ghastly aspect.This method of divination has been frequently used in various forms since ancient times on mirrors made of polished metal: copper, bronze, iron, silver or gold. There are traces of it in Chaldea and Mesopotamia. Of course, the surface of water or any other reflective surface was also suitable2. The Sagas of Thessaly traced on mirrors their sibylline formulas with blood: immediately the moon - another mirror - reflected these bloody characters, then the answer was imprinted on its silver crescent. This is how the oracle was rendered "3. In his Description of Greece (around 174) Pausanias le Périégète writes in his Description of Greece:
In front of this temple there is a fountain which on the side of the temple itself is closed by a wall of dry stones; outside there is a path that goes down. It is claimed that this fountain makes oracles that never deceive; it is consulted not on all kinds of affairs, but only on the state of the sick. A mirror is attached to the end of a string and held suspended above the fountain so that only the end touches the water. Then prayers are made to the Goddess, perfumes are burned in her honour, and as soon as we look in the mirror we see if the sick person will return to health or die; this kind of divination does not extend further. ».The Roman Emperor Didius Julianus (193) had similar practices as Spartianus relates: Julianus even resorted to this kind of divination, which is done with the help of a mirror, in which, it is said, children see the future, after their eyes and heads have been subjected to certain enchantments. It is claimed that, in this circumstance, the child lives in the mirror when Severus arrives and Julianus leaves.
The Renaissance also had its share of divinations by mirrors, the doctor Jean Fernel 1497-1558 relates: The gestures of these figures were so expressive that each of the assistants, who saw like him in the mirror, could well understand their mimicry. One evening in 1559, Cosme Ruggieri, the magician of Catherine de Médicis, used it at the Château de Chaumont-sur-Loire to predict to the Queen Mother Queen the duration of the reign of her sons, who had to make as many turns on themselves as they had spent years on the throne. Francis II made a tour, Charles IX fourteen, Henry III fifteen and the Prince of Navarre (the future Henry IV) twenty-one8. In November 1582 John Dee, the Magician of Elizabeth I of England, saw the Uriel Angel appear at his window one evening. He gave her a polished black stone which, when fixed with insistence, showed up beings capable of telling the future. This strange dark mirror is currently on display in the British Museum. Catoptromancy is quite common in the folk magic of nearly every country. For centuries, mirrors were considered powerful tools: if they could capture physical images of the world, perhaps they could also capture the supernatural. To this day, it is not uncommon in many Eastern European countries for surviving family members to cover the mirrors or turn them to face the wall after a person in the household has died, for fear the recently released soul may become caught inside the mirror. Mirrors have often been used as a tool in folk magic. One of the most common applications of catoptromancy is the old ritual, which every culture seems to have a variation of, that involves a young woman looking into a mirror in the hopes that the face of her future husband will be revealed. Sometimes, this game would be taken quite seriously and there would be other rules regarding the age of the girl and what she may or may not have been wearing, as well as what day of the year was the best for performing the ritual.
Many young women may have been scared away from playing this game by the possibility that she may in fact see an image of the Golden House in the mirror. This would mean that manor would be full kindness to accept holistic's students. Frederick II was the first Germanic and Italian Emperor, he had brought the divinatory sciences back to Alsace and his Sicilian doctors who of course spoke Arabic. The Egyptians' divination and secrets were part of the Moorish culture, they had assimilated the Persian culture with Zarathustra as well as the Greek culture with Plato, or the Egyptians with Hermes-Thot. The golden manor is reflected in this boat asleep in the waves of a regenerating winter, it reminds us of the memory of the last Germanic Emperor William II and his golden eagle floating between two waters in the gable which traces its extended wings, we are ready for a flight to the hidden dimension of a reversible World. Wer ist die Schönste im ganzen Land?
Nearer to us, J. T Reinaud (1795-1867), Orientalist commenting at the beginning of the 19th century on the museum of the Duke of Blacas, writes: The Orientals also have magical mirrors in which they imagine themselves to be able to reveal the angels, the archangels; by perfuming the mirror, by fasting for seven days and keeping the most severe retreat, one becomes able to see, either with one's own eyes or those of a virgin or a child, the angels that one desires to evoke.
Today, catoptromancery is still widely used in sub-Saharan Africa.Interpretations[edit | modify code] One can give two kinds of interpretations to visions obtained in mirrors. First of all, these visions are of dreamlike, hypnotic or hallucinatory nature, provoked by the atmosphere and rituals frequently involving semi-darkness, a long period of concentration sometimes preceded by fasting and the use of fumigations that can be hallucinogenic (see above). As psychologist Pierre Janet writes: People who have seen in these mirrors will certainly say,"I knew nothing of all this. Well, I have to tell you that your statement is inaccurate. You knew very well what you saw appearing. They are memories acquired, at fixed dates, recorded knowledge, daydreams and reasoning already done. » From the Renaissance onwards, the use of techniques to obtain all sorts of illusions using semitransparent or judiciously arranged mirrors was added to this, and Jean-Baptiste Porta, like this one, described in great detail at that time: How can we make a mirror out of several full mirrors, to which, at the same time, several effigies will appear "12, techniques still used today by illusionists.
Vision of her future husband on Halloween night. According to Anglo-Saxon tradition, a young girl presenting herself in front of a mirror with a candle lit by hand during Halloween night would see the face of her future husband pass by... or a skull if she had to die before her marriage! A legend has it that by performing a certain ritual in front of a mirror on the night of Epiphany we could see ourselves as we were at the time of his death. There is also the urban legend of Bloody-Mary, which has many variations. If you place yourself in front of a mirror in a dark room (a bathroom for example), lit only by a candle, and you pronounce thirteen times in a row the name "Bloody Mary" it appears the bloody face of a woman who attacks you...With the exception of the Magic Mirror in Snow White, the best example of catoptromancy is the old Halloween party game “Bloody Mary”. The tradition developed out of the old fashioned attempt to see the face of your future spouse. The idea of calling on “Bloody Mary” started during the Elizabethan Era: A young, Protestant woman, hopeful for a good life with a future husband and lots of children, would look into the mirror and taunt the ghost of the Catholic queen Bloody Mary, a woman who had been physically unable to produce an heir. As the years went by, the religious tensions which created the Bloody Mary game were forgotten. Eventually, the game was somehow combined with the urban legend of Bloody Mary, a horrifying and perhaps vengeful specter (again, with variations from different eras and cultures). After this happened, the idea of it being a ritual for the discovery your future spouse was jettisoned as well. Anytime Bloody Mary is called on now, it is just a simple dare or Halloween prank, usually played by young children, in order to cause a good scare.
A type of divination with a mirror which the second century AD Greek traveler Pausanius described as follows: "Before the Temple of Ceres at Patras, there was a fountain, separated from the temple by a wall, and there was an oracle, very truthful, not for all events, but for the sick only. The sick person let down a mirror, suspended by a thread till its based touched the surface of the water, having first prayed to the goddess and offered incense. Then looking in the mirror, he saw the presage of death or recovery, according as the face appeared fresh and healthy, or of a ghastly aspect." Another divinatory method of using a mirror was to place it at the back of a boy's or girl's head when their eyes were bandaged shut. In Thessaly the responses appeared in characters of blood on the face of the moon, probably projected in the mirror. This practiced was derived by the Thessalian sorceresses from the Persians who wanted to establish their religion and mystical rituals in the countries which they invaded. A.G.H.
Catoptromancy is the technique used by Snow White's evil mother-in-law in Jacob and Wilhelm Grimm's famous tale:"Little mirror, little mirror on the wall, which is the most beautiful of the whole country? ». In Lewis Carol's tale, Alice in Wonderland passes through the fantastic universe on the other side of the mirror.Grimms’ Schneewittchen or Snow White is one of the oldest and most famous stories in the world. Catoptromancy is a very important part of this tale – in fact, one could easily say that the entire story centers around catptromancy. The action all starts when the Evil Queen asks “Mirror, mirror on the wall, who is the fairest of them all?”
The Mirror or the Queen’s use of catoptromancy in the story is what causes her to want to kill Snow White. And, in turn, it is what leads the heroine into home of the Seven Dwarfs. The Mirror carries the story further by refusing to answer the Queen’s question – “Who is the fairest of them all?” – in a way she would like. Through the Mirror, the Queen knows that her first two attempts to murder Snow White have failed, and she eventually uses the seemingly effective poisoned apple to rid herself of her rival.Spieglein, Spieglein an der Wand,- The Evil Queen’s invocation of the mirror in the Grimms’ original German. A magical mirror, in some form, has played a part in probably every adaptation of Snow White that has ever been made. This is not only because of the importance of catoptromancy in folklore, but also because this story expounds on the difference between vanity and beauty.
